Mayfest 2013 is a hit.

I went to Mayfest last night with my husband and son. What a blast. We got to listen to the Red Dirt Rangers, eat strange food, check out art booths and just basically have a great time.

MayFest really seems to have grown this year. There were more vendors, more entertainers and more people than I remember in years passed. The planners did a great job.

My favorite finds this year include:

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We HAD to try the Moink Balls — I was after all with my men. It’s meatballs surrounded by bacon on a stick and smothered with BBQ Sauce. They came five to a stick. I had one and let the guys eat the rest. Not bad.
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THIS is my favorite booth. The artist is Teresa Merriman. I purchased the journal third from the right. It’s leather bound, full of watercolor paper and is lovely.
Here is a photo of Teresa (The Artist) and the Journal I picked out. Super sweet peeps. Go find their booth!
Here is a photo of Teresa (The Artist) and the Journal I picked out. Super sweet peeps. I forgot to ask his name. – Go find their booth!

Verbal Abuse, Know the Signs

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This is a reblog from Domestic Violence No More’s Facebook Page. I believe this applies to men as well (I know men who are or who have been verbally abused by women). — Verbal Abuse is insidious and often times, the abused doesn’t even realize it’s happening until it’s too late.

Characteristics of Verbal Abuse

1. Verbal abuse is hurtful and usually attacks the nature and abilities of the partner. Over time, the partner may begin to believe that there is something wrong with her or her abilities. She may come to feel that she is the problem, rather than her partner.

2. Verbal abuse may be overt (through angry outbursts and name- calling) or covert (involving very subtle comments, even something that approaches brainwashing). Overt verbal abuse is usually blaming and accusatory, and consequently confusing to the partner. Covert verbal abuse, which is hidden aggression, is even more confusing to the partner. Its aim is to control her without her knowing.

3. Verbal abuse is manipulative and controlling. Even disparaging comments may be voiced in an extremely sincere and concerned way. But the goal is to control and manipulate.

4. Verbal abuse is insidious. The partner’s self-esteem gradually diminishes, usually without her realizing it. She may consciously or unconsciously try to change her behavior so as not to upset the abuser.

5. Verbal abuse is unpredictable. In fact, unpredictability is one of the most significant characteristics of verbal abuse. The partner is stunned, shocked, and thrown off balance by her mate’s sarcasm, angry jab, put-down, or hurtful comment.

6. Verbal abuse is not a side issue. It is the issue in the relationship. When a couple is having an argument about a real issue, the issue can be resolved. In a verbally abusive relationship, there is no specific conflict. The issue is the abuse, and this issue is not resolved. There is no closure.

7. Verbal abuse expresses a double message. There is incongruence between the way the abuser speaks and his real feelings. For example, he may sound very sincere and honest while he is telling his partner what is wrong with her.

8. Verbal abuse usually escalates, increasing in intensity, frequency, and variety. The verbal abuse may begin with put-downs disguised as jokes. Later other forms might surface. Sometimes the verbal abuse may escalate into physical abuse, starting with “accidental” shoves, pushes, and bumps.

Where there is anger, there can be great comedy, but first you need to face the pain.

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I’ve come to the conclusion that life will make a woman out of me yet, just not today.

Today my inner-child is engaged in the dialog. She likes to show up from time to time when she wants to teach me something. Now that I am in comedy, she and I have become quite close.

At the advice of some close comic friends, I’ve started mining the fertile soil of my past and my inner psyche for material. The only way I can safely travel through those ancient fields is if I take her along. I need to see through both the detached eyes of an adult as well as hers. She keeps me honest and she keeps me from putting myself down on stage.

For instance, I once wrote a joke about being “the fat chick with self-esteem issues” and that one never made the stage. She didn’t like it at all. And she’s back, this time as my genus as we walk through some hard topics like  affairs, abuse, alcoholism, marriage, and self-esteem.

Sometimes I go through dark hallways when I write, even if I’m writing comedy. I find recesses in my own spirit that are wilted and it takes a bit of a journey before I get the water and light needed to bring balance back.

Sometimes I don’t realize I’m in a tunnel until I start getting emails and questions about my Facebook sharing. My humor get’s dark in tunnels. Without thinking I have (in a week’s time) changed my cover pic to I’m with Stupid (A brain pointing to a heart) and shared memes that are along the lines of “don’t cheat, leave if it’s that bad” and “do I smother them or make pancakes?” and people are starting to ask if my husband and I are okay — oops..

My husband and are FINE, thank you for asking. I’m just focusing on a hard chapter and I’m still unsure on the direction to take. I am presently working on a comedy set about cheating and low, the topic of the week at least in my internet “world” is cheating as well. Or maybe I’m just noticing it because of where my focus is these days. It seems like so many people are talking about it. Some are doing it. Other’s are posting meme’s against it. Other’s are getting divorced because of it and I feel like a voyeur most days.

A few weeks ago I heard a radio show justifying cheating, and this week I discovered that MTV has a man show that teaches guys how to cheat without getting caught. I can’t tell if it’s meant to be a comedy show or just pure crap. Or maybe it’s both, who knows.  My skull finally exploded this week and it’s taken me a while to figure out why I’m so angry.

“What anger’s us in another person is more often than not, an unhealed aspect in ourselves. If we had already resolved that particular issue, we would not be irritated by it’s reflection back at us.” — Simon Fuller

Like it or not, there are victims in this equation. I know what cheating does to people. I’ve spent a lifetime cleaning up that wreckage and there’s some healing left to do. I have kinda strange boundary issues because of it as well. I can find the funny, if I allow myself the healing I need. No healing, no funny. That’s just how it works.

I don’t know of many things that can confuse a person more than growing up with a revolving door of parental partners. I’ve honestly lost count at the number of men and women who entered and left my life. It started long before my parent’s divorce and never really ended until recently.

Potential partners trying to win me over in order to win over the parent they want to have sex with is confusing as well as frustrating to a child. I always saw right through it and I learned how to play the game. I figured out pretty quickly that men  and women alike were willing to drop big bucks on me if needed. I hate to admit this, but I’ve racked up trips to California, Disney World, Detroit Tiger’s ball games, designer clothes, college books, shoes, and many other things. I knew what they were doing, and I played along to my profit as well as their gain.

Of course, I always had questions.

Will I get a new Dad?

Is this my new Mom?

How attached do I get?

How long are they here for?

Will they stay?

None of them ever stayed and so it’s just a matter of time before the questions became “When will they leave?” and “Is it my fault they are gone?” No wonder I have trust issues.

Mining comedy doesn’t always start in shallow waters. Good comedy goes beyond knock knock jokes and puns and searches for that diamond in the rough — that redeemable moment of vulnerability and truth. Depths and layers are explored. It’s a painful process at times. Writing comedy allows me to explore the layers of my life and of society, allowing me to be vulnerable and not only face myself and my past, but to embrace the future as well.

Good comedy has an obligation to take you past the comfortable and expand your mind, but first it sometimes breaks a writer’s heart. All in a day’s work.